
Eartha Kit as Catwoman
She was my favorite Catwoman of the Batman series (TV). She was sultry and a Diva. Eartha passed away today from symptoms related to colon cancer.
She was not only an actress but was also a consummate singer and cabaret performer. Here inate sexual appeal and presence on screen won her many fans.

Eartha Kitt
She has been nominate for Emmy, Grammy and Tony Awards. She is a grand dame that we will miss but will ever live on in her work both in film and music. You will live on forever, Catwoman!
Here is a moving tribute from a dear friend of mine and one of her greatest fans:
A personal tribute to the late Ms. Kitt, “Santa Baby”
By: Stephen Carter – one of her biggest fans
I received the sad news on an otherwise lovely Christmas Day that my
favorite performer and personal idol, a fabulous human being and true
American legend passed away at the ripe age of 81. Almost apropos for the
woman who first recorded one of the world’s best-loved playful holiday
songs, “Santa Baby,” Eartha Kitt left us this season as her sultry, purring
voice rang over TV and radio.
Though many of you may never have known much if anything about her long and
colorful career of many, many decades (or perhaps only recognized her as
Catwoman from the Batman television series in the 60s), Eartha Kitt was a
multi-talented virtuoso that epitomized what a true entertainer should be –
she sang, acted, danced and lit up stages and screens around the world with
her very unique and energy-filled presence. She was, in my opinion, the
last of a dying breed.
Truly, many Americans may have been deprived of the first decades of this
woman’s career because of her heartfelt words of protest during the Vietnam
War that had her blacklisted from the U.S. entertainment machine. Yet in a
turn of fate (what I feel to be poetic justice), Eartha made her way instead
across Europe and beyond during these otherwise challenging times, increased
her fame abroad and became an international star during times when there was
no World Wide Web/online community, and when cold war politics usually
prevented such sharing of knowledge, let alone entertainment talent, across
borders.
I luckily had the opportunity to meet Ms. Kitt twice in my life when I saw
her perform her one-woman cabaret-type show – the latest just a few years
ago when she was in her very late 70s, in San Francisco. Though she was
exhausted from dancing and singing for nearly 2 hours straight, she still
mustered enough strength to face a long line of eager fans seeking to either
meet her for the first time, see her close up once again (like me), score an
autograph, or almost speechlessly praise her fabulous performance (again, as
I did). I told her that I didn’t know how she did it…she had more energy
at 78 or 79 than I could ever muster then in my late 30s. As always, I was
blown away by her vivacity and in awe at her persona.
Ms. Kitt’s last words to me as I left the green room that night were “Thank
you for supporting me.” Although seemingly a simple and obligatory
acknowledgement of me as a paying fan, those words rang in my head as those
of a sadly bygone era of American entertainment when actors, singers, and
other performers forged a real unity with their fans who give them life and
energy. Eartha was part of that “old school” theatre mentality that
appreciated those that gave her the opportunity to perform, and despite diva
status to almost humbly bow to them in recognition of her success.
For that and for many other things that made her my idol, I cherish the
memory of those personal words to me even beyond the lyrics of her songs and
lines from movies and plays I know so well….words which I hope will live
on as the unmatched signature of a truly legendary woman.
Eartha Kitt seemed to live a fuller life than most people ever manage to do.. and it was so funny to find out that she was a voice in “The Emperor’s New Groove”